Samuel Kerridge is a man who's risen to prominence in experimental circles in just the last 2 years. Firstly through his 'Auris Interna' release on Horizontal Ground, which lead to him being picked up by Regis for his legendary Downwards label. Two EPs followed, 'From The Shadows That Melt The Flesh' and 'Waiting For Love', before the end of 2013 saw the UK producer's debut album, 'The Fallen Empire'.
His gritty, distorted, slow pulsating rhythms perfectly encapsulate the modern Downwards sound. Full of eerie atmospherics and thunderous basslines, it's almost impossible to experience Kerridge's music without sporting an involuntary gurn slapped all over your face. We caught his live set at this years CTM Festival and it was one of the stand out moments (of many incredible moments) of the whole extended weekend.
After performing in many of Europe's top clubs, like Berlin's Berghain and The Rex Club in Paris, as well as Womb in Tokyo, this weekend he'll finally be making his debut outing in London's infamous fabric Room 2. To mark the occasion (as they generally do) Samuel has provided a 20 min mini live set for the club's blog. You can check out the accompanying interview on the fabric website and have a listen to mix on the Soundcloud player below. Also his Boiler Room London set is well worth checking out
As we previously mentioned, Kerridge can be found performing live in Room 2 at fabric. He'll be following on from the ever present Terry Francis and before Mr techno himself, Marcel Dettmann. Tickets are available through the fabric website
Vatican Shadow provides us with our Mix Of The Day as he puts a selection of music together for the fabric blog. Chopped full of music you've never heard of before with a sprinkling of a few bits that you would of he produces a mix unlike many you'll ever hear (unless it's another of one his?). There's not much to say other than check it out with the soundcloud player below, and make up your own mind.
Tracklisting
1) Kevorkian Death Cycle - Water [Ras Dva Records]
2) Fuse - Substance Abuse [Plus 8]
3) Traversable Wormhole - Universal Time [Traversable Wormhole]
4) Leather Strip - Dreaming (Two Demo 1982) [Alfa Matrix]
5) Strom.ec - Ylösnousemus
6) James Ruskin - If [Tresor]
7) Vatican Shadow - Peace Rage [Hospital Productions]
8) Franco Battiato - L'era Del Cinghiale Bianco [EMI]
9) Ninos Du Brasil - Ciencias Ocultas [La Tempesta International]
10) Lussuria - Keys To Unlock Paradise (Roman Showers) [Hospital Productions]
11) Goblin - Suspiria (Main Title)
12) Sandwell District - Falling The Same Way (Regis Mix) [Sandwell District]
13) Moulder Machine feat Atrax Morgue - Music For Dead Brains
14) Purient - You Show Great Spirit [Blackest Ever Black]
As well as the mix, Vatican Shadow has been extremely generous and produced a new track exclusively for the fabric blog also.
Of course, all this activity isn't for nothing, because on Saturday Vatican Shadow stands shoulder to shoulder in Room 2 with Regis and Untold for what is undoubtedly one of Room 2's most exciting and expansive line ups of the year. Tickets are available from the fabric website
If that's not enough for you, or you just can't wait till Saturday night to see him perform live, the best we can offer you if the Boiler Room London show airing tonight at 8pm. Supported by Cut Hands, Conor Thomas and Russell Haswell, it'll be a night for the experimentalists and one that we can't wait to experience.
Sigha and Shifted are two of UK Techno's biggest success stories over the last few years. Rising to international acclaim with a string of forward thinking releases and stella DJ sets. Sigha got his break through Scuba's Hotflush label, whilst Shifted made his name on another of the UK's best labels, Mote Evolver. 2012 saw both of them release their debuts albums, 'Living With Ghosts' for Sigha and 'Crossed Paths' for Shifted, which featured in the plenty of 'best albums of 2012' lists around the techno world.
It was always going to be a matter of time before the pair launched their own labels to give a true platform of their sound. Sigha's came in 2010 as Our Circula Sound launched with Marcel Dettmann remixed Sigha's 'Early Morning Lights'. The very next year Shifted's (and Ventress's) Avian imprint hit the stores with the aptly titled 'AVN #001'. The ever growing closeness of these two collectives and the intertwining of artists on both labels has lead to a number of Avian vs OCS label nights, firstly in Paris and secondly at Berlin's legendary Berghain. The next outing is back in the place where it all began, London, at fabric this Saturday.
To celebrate the occasion, the duo have put together a taster of what to expect from Saturday's b2b performance with a mix for the fabric blog. It may be just under 40 mins long but it's packed full of the distinctive and originals sounds that have made Sigha, Shifted and their labels so respected amongst their fans and peers. Throbbing basslines, metallic industrial tendencies and swirling organic atmospherics are all present in this absorbing recording, which you can download it or stream the mix from the soundcloud player below. And while you're listening, head over to the fabric blog for the interview.
As we mentioned earlier you can catch the Avian vs OCS showcase in Room 2 at fabric as they take care of Room 2 duties for Craig Richards' 'The Nothing Special'. As well as the b2b special set from the duo, Silent Servant and MPIA3 both feature with Terry Francis on his usual warm up business. Tickets are available from the fabric website and you can find all the rest of the info here
Hot on the heels of Ben Klock's contribution to the fabric CD series we have another techno selection from our favourite techno duo as Function and Regis, as Sandwell District, bring you fabric 69. Although the pair still DJ together regularly all over the world, this is the first release in any form, as Sandwell District, since the label ceased on NYE '11.
What starts off a dark intense examination of your psyche steadily grows and expands into a full on techno workout laying homage to the 20 years of techno that the pair have been so instrumental in building and so heavily influences their sound. Check out the official teaser video from fabric below
Tracklisting
1) Silent Servant - A Path External [Hospital Productions]
2) Function - Voiceprint (Loop/Edit) [Ostgut Ton]
3) VCMG - Spock (Regis Remix) (Loop/Edit) [Mute]
4) Boyd Rice / Frank Tovey - Extraction 7 [Mute]
5) Raime - Exist In The Repeat Of Practice [Blackest Ever Black]
6) Ike Yard - Loss (Regis Version) [Blackest Ever Black]
7) Vatican Shadow - Church Of All Images (Regis Version) [Blackest Ever Black]
8) Fiedel - Andreas (Bonus Beats) [Fiedelone]
9) Cub - CU2 (UST Funk Mix) [Cub]
10) Mary Velo - Detune [Frozen Border]
11) JPLS - Basis [Minus]
12) Rrose - Wedge [Eaux]
13) Ø - Syvåys [Såhkö]
14) Rrose - Wedge [Euax]
15) Function - Modifier [Ostgut Ton]
16) Carl Craig - Darkness [Plant E]
17) Markus Suckut - Hunt [Figure SPC]
18) Samuel Kerridge - Waiting For Love Part 1[Downwards]
19) Untold - Motion The Dance [Hemlock]
20) Surgeon - As You Breathe Here Now [Semantica]
21) Mark Ernestus - Mark Ernestus Meets BBC [Honest Jons]
22) Plastikman - Plasticine [Plus 8]
23) Trevino - Uptight [Klockworks]
24) VCMG - Spock (Regis Remix) [Mute]
25) Planetary Assault Systems - Flat Tire [Mote-Evolver]
26) Factory Floor - 16-2-16-9-20-1-14-9-7 [Blast First Petite]
27) James Ruskin - Into A Circle [Jealous God Music]
28) SS/S - Sicario de Dios: Siglo 2 [Jealous God Music]
29) Laurent Garnier - At Night [F Communications]
30) Function - Voiceprint (Reprise) [Ostgut Ton]
fabric first members will of already found the CD on their doorsteps or in their postboxes. For those of you that aren't members you can grab your copy from the fabric Website.
If you're lucky enough to be in London this weekend then fabric's Room 2 will be hosting the official CD launch party. If you've caught Sandwell District at fabric in the last few years you'll know just how special these occasions turn out to be. They'll be joined by Sandwell District artist Rrose, who will be making his fabric debut. As one of techno's most mysterious, yet captivating characters, the live show is likely to be one of the most impressive things you'll see. Terry Francis has been entrusted with the all important task of warming up the room as he has done expertly on many many occasions in the past.
Tickets are available through the fabric website, where you'll find you can get a discount if you buy your tickets and CD together.
Peter Van Hoesen has been working behind the scenes tinkering and expanding his new live setup. The combination of hardware and software will be put to use for the first time in fabric's Room 2 tomorrow night, so the Farringdon nightspot sat down with him to discuss the mechanics of it all and his decisions to change the way he performed
We’re talking to you specifically about your live set up today as I’ve been told you’re now touring a new live set. In what ways is it new – is it about what you’re using to perform or is it more about you re-writing it?
Both. At last year's Labyrinth festival I tested a new setup which involved two hardware synths, complimenting the laptop setup. This was so much fun that I decided to explore this more thoroughly. It took me about four months to decide on a final setup, which right now includes three hardware synths and a drum machine. At the same time as I was exploring these new options I decided to write new material. Right now I have a lot of unreleased tracks exclusive to the live performance. My upcoming fabric gig will be the first time ever with this new setup.
How often do you change things up?
I have always been adding new ideas to the live set, but this is the first major change since 2011.
How much of it is new unreleased material? Do you find live sets double up as testing grounds for new tracks?
About 70 % is unreleased, most of it in the form of loops or midi sequences which can be modified and edited in real time. This allows me to try out different variations, to see how they work. So yes, in a way it allows me to test the waters, see what works and what doesn't. Some of these new ideas might end up as released tracks.
What is it you’re performing on now exactly?
There's an Elektron Monomachine synth which produces weird, bleepy percussive sounds. Then there's a Waldorf blofeld synth which I've programmed to play more pad-like sounds. For some shows I will add a Roland SH-101, that machine can create really deep and powerful basslines. It's a classic synth, easy to work with in a live setup. The other new addition is the iPad, running Moog's excellent Animoog synth. It's really interesting to see the iPad come to life as a real instrument, the touch interface really shines with this Animoog app.
Everything is sequenced via Ableton Live. All the sounds run through a number of outboard effects and filters to beef things up, there's a drum machine running along....it's a pretty big setup. There's lots of room for instant manipulation and even some live keyboard playing on the 101... I want to give the Jean-Michel Jarre in me a chance to come out.
Can you run us through why you’re working in this set up and what creative freedom it allows you?
I wanted to have more control over the sounds and the sequences, that's why the hardware machines have been added. This setup allows for much more creative, real-time editing. Every live performance then becomes something unique. I also believe that a live set should be a bit of a challenge for the artist, there should be some tension involved. This spices things up, makes it more interesting for me and for the audience. It's interesting to step out of one's safety zone once in a while.
How different is it from what you produce with in the studio?
One of the goals of this new setup is to be able to produce with it as well playing live. I want to arrive at a situation where the studio setup is almost identical to the live setup. In the past I was investing too much time into translating studio tracks into live parts. I felt a lack of spontaneity arising from this method. So right now the goal is to come full circle, to have everything integrated in one setup for both purposes. I'm not sure if I will ever get there completely, but the process is probably more important that the end goal. So basically, I am trying to re-create the studio setup as much as possible on stage. The opposite is also true: I want the studio setup to become more like the live setup. So both situations are growing towards each other. Then there's also the fact that new tools are constantly tested and added to the live and studio setup, be it software or hardware. The important thing is to be able to work intuitively, without too much of a technical barrier in the way.
How’s that developed over time? Would you say there’s been a move more in favour of digital?
Hmm... I would say that there is a constant, healthy tension between the analog and the digital, or rather between hardware and software. Right now I have definitely moved over into the hardware domain more than let's say a year ago. One of the great things about electronic music is that there are new tools and instruments being released all the time, I find this very inspiring. Trying out new things, new approaches, new ways of making sound, that's why it's fun for me.
And finally, if money was limitless what’s your ultimate object of desire?
I'd love to have a compact Turbosound or Funktion One club full-frequency system setup in the studio. That would be smashing. We have great monitors in our studio, but a small club system would really brings things to live.
As we mentioned earlier Peter will be performing with his new live setup for the first time in Room 2 at fabric this Saturday alongside one of UK Techno's original trailblazers, Surgeon and fabric mainstay Terry Francis. Tickets are available from the fabric website
On Saturday UK Techno poineer, Ben Sims, returns to fabric's room 2 for another assault on the eardrums. And the man who's spent most of the last 12 months in the studio has put together a special mix for the fabric blog to display the fruits of his efforts. It doesn't get much newer than this either. Every track on the mix is either scheduled for release soon (on his own Hardgroove and Theory labels as well as Drumcode) or they're unsigned. So unless you've caught Ben play lately (or someone he might of given them too) the mix will consist of 40 mins of music you've never heard before.
There's also an interview to go along with the mix. That can be found on the fabric blog. You can download of stream the mix from the soundcloud player below.
Tracklisting
1) Ben Sims - Bite The Bullet [Drumcode]
2) Ben Sims - Raise Your Hands (Mr G Remix) [Hardgroove]
3) Ben Sims - Untitled [Unreleased]
4) Ben Sims - Smoke and Mirrors (Jerome Sydenham Remix) [Drumcode]
5) Ben Sims - Something (Truncate Remix) [Theory]
6) Ben Sims - Something (Ben Sims Remix) [Theory]
7) Ben Sims - Freaks (KiNK Remix) [Theory]
8) Ben Sims - Can You Feel It? (Joseph Capriati Remix) [Drumcode]
9) Mark Ambrose - Shooting Stars (Ben Sims Dub Mix) [Theory]
10) Truncate - Dial (Ben Sims Remix) [Unreleased]
11) Ben Sims - The Afterparty (Ben Klock Remix) [Drumcode]
12) Ben Sims - The Little Jam [Theory]
13) Aubrey - Double Image (Ben Sims Remix) [Theory]
14) Ben Sims - Spectrum [Theory]
15) Ben Sims - Untitled [Unreleased]
16) Ben Sims - The Afterparty (Adam Beyer Remix) [Drumcode]
17) Ben Sims - Neurosis [Theory]
As we said earlier, Ben Sims will be headlining fabric's Room 2 on Saturday alongside Norman Nodge and Skudge. Tickets are available through the fabric website. If you don't happen to be in London this weekend then head over to his Resident Advisor DJ Page where you'll find details of upcoming gigs in France, Holland, Spain, Ireland and America. For all the other info you can like his Facebook Fan Page or follow him on Twitter.
fabric have been pulling out all the techno stops for the month of March. Last weekend saw Cosmin TRG and A Made Up Sound join Terry Francis in Room 2. This week his accomplices are none other than Berghain resident Marcel Dettmann teams up with Blueprint Records' production duo of Regis and James Ruskin, that go by the name of O/V/R.
With Levon Vincent and Delano Smith taking their place alongside Craig Richards in the main room, this is a night to get the technoheads salivating all the way to the former meat locker.
Tickets are available from the fabric website
Ahead of Staffan Linzatti's debut performance at fabric this weekend, the London club's blog got to know a bit more about the Swede with an interview to accompany an exclusive set that he's recorded as a precursor to mark the occasion.
You can stream the mix from the player below...
and you can read the interview on the fabric website
As we stated earlier, Staffan will be making his first appearance at fabric with a live set in Room 2, alongside Sandwell District and Locked Groove, this Saturday.
Tickets are available through the fabric website. To find out more about Staffan Linzatti, his tracks and where he'll be performing in the next few months, head over to his Resident Advisor page
When it comes to approaching your first full artist album, no matter who you are, it’s a daunting task – never mind when you lose your first rounds of drafts and ideas through technological mishaps. There’s a lot of pressure poured on you, especially if you’ve moved on in terms of sound from what first got you attention in the first place. This was the case for Sigha, one of a wave of artists who happened to start out at a time when the dubstep end of beatmaking was open to experimentalist using sub bass in a multitude of different ways even if they were finding their niche more at the four four techno side of things. A seemingly fitting analogy comes from his formative days working in the basement at BM Soho. The subterranean floor is more of a d&b and dubstep spot but Sigha transcended upstairs to the techno records…
Things move on and as his interest in techno grew it really became the sound to take him forward with his creativity and he started developing his debut album for Hotflush entitled Living with Ghosts - which he’s toasting with us in Room Two this weekend. It proves to be a fertile time then to catch up with the ever growing talent to find out how, rather than taking a breather after the LP release trail, Sigha currently has a multitude of projects under the go. All ready to come into fruition later this year they include his collaborations with another of last year’s strongest new artists, Shifted, and the fresh energy he’s pouring in to his Our Circula Sound imprint.
Hey James, happy new year to you – how was yours?
I spent the Christmas period and the New Year back in the UK with my family. I was a busy towards the end of last year and it’s set to be an even busier start of 2013 so it was really nice to have some downtime.
Last year you played the birthday – how was your experience of our 31 hour long party?
fabric is an amazing club to play, the system is obviously incredible and the crowd there always react well to my sound and are definitely there get down, so the atmosphere at an extended party like that is pretty intense. I played fairly early on Saturday night but I came back on Sunday evening and it was still electric in there, so many people I spoke to had been there for the duration. Extended parties of that length are a weekly occurance in Berlin, but they rarely seem to happen in London. Even though I’ve left I still see it as my home turf so it’s very special to be part of something like that there.
You’re down to mark the release of your album, although it was in the stores last year can you tell us a bit about the ideas behind it and the process with which it was created?
It was a long process, broken up by computer crashes and moving countries. I'd written well over half the LP when my studio computer died and I had to start over, bar a few tracks i managed to salvage. I think this ended up being a positive though, it gave me a bit more time to think about how i wanted to approach the album. By the time the second draft started to take shape i was settled into life here in Berlin and had come around to the idea of a more balanced project. I really wanted it represent me across the board as an artist.
Has it been making the body of your sets up for the last year – have you been pleased in the effecting results it has had on the dancefloor?
I’ve been playing certain tracks a lot, Scene Couple, Dressing For Pleasure (Ideal), Puritian. These were actually written with specific points in my sets in mind, so I've been really happy to see the results on the floor when they've been played.
What direction are you currently working in – you’ve talked recently about how you've been finding yourself immersed in the world of drone?
I’m working on several projects at the moment that won’t be released as Sigha , I don't want to go into too much detail at the moment simply because my attention span means they might take a while to actually finish.
One is an LP of ambient and slower electronic music, although its non-techno I suppose it’s very informed by it, which I don't see as a problem really. I’m trying to focus a bit more on melody, it’s definitely 'sunnier' than anything else I've done previously but maybe that’s not saying much.
The other project I'm really excited about is much darker, made up of processed field recordings. At the moment it’s still in its early stages and I'm just collecting sounds for it but the concept behind it's really strong and something that I'm hugely interested in.
Techno wise I’m getting tracks together for a few new EPs for Blueprint, Avian and my OCS imprint as well as finally finishing a collaboration with Shifted and starting a new project with Truss.
I know sometimes new material is tested months and sometimes years ahead by most producers and by the time the album’s out for some people they’ve predominately moved onto newer material when they play out…would people expect to hear dubs of unreleased work being tested more than your older material in the club?
A mixture really I suppose, when I finished 'LWG' I found focusing on techno a bit of a struggle, the old post-lp blues cliche I guess, but it feels like I’ve finally found my groove again and I'm enjoying writing and playing out newer tracks. It’s always good to test something out on a crowd and a good system if that’s the environment you want it to be heard in.
What external experiences have been most inspirational for you at this point? I know you’re an individual that takes in a lot from other cultural realms outside of technoland
I think we've got to the point where we're so bombarded on a daily basis with external stimuli that it’s more a question of what you choose to shut out and ignore when it comes to things influencing you creatively. I live a pretty reclusive life style compared to a lot of people really, perhaps to an unhealthy extent, but I find this helps me retain a semblance of focus when I sit down to work.
I enjoy visiting galleries, it’s not even just about drawing something from the works themselves, but I find it encourages me to think about the artistic and creative process.
Would you see yourself working outside of the traditional music process in future – say club / records /album in future in way of collaborations with artists or fashion designers? Has that crossed your mind before?
Definitely, these are things that I’d like to do at some point, but I think I've got more than enough on the go currently, unfortunately there are only so many hours in the day.
Onto a collaboration I know to be in action currently, I’ve seen you’re planning events with Shifted’s imprint Avian vs Our Circula Sound – what lead you to work together in this way?
Shifted’s been a very close friend of mine for a long time now, we share a lot of common ground and mutual interests both in and outside of music. We've been talking about the idea of putting on a collaborative party to showcase both imprints for a while, but we weren’t anticipating the level of interest that the project would generate. It exciting to have seen the concept grow in a short space of time from an idea into something concrete.
Do you have a plan for 2013? What releases do you have locked down?
Personally, the projects I already mentioned are going to be my focus this year. My label Our Circula Sound will be picking up the pace, we've signed some great new material from some new artists I’m really excited about and it’s about time I released a solo 12 on there as well.
The AVN/OCS parties and collaborative release series from both labels will also be taking up a chunk of my attention.
If you happen to be in London tomorrow you'll be able to catch Sigha performing alongside DVS1 in Room 2 at fabric. Tickets are available through the fabric Website. For more info on Sigha, head over to his Facebook Fan Page.
2012 has been a good year for techno at fabric. We've been lucky enough to witness the likes of Sandwell District, Ben Klock, Marcel Dettmann, Peter Van Hoesen, Shed, DVS1, Shackleton, Luke Slater, Skudge, Karenn, Sigha and plenty more take to the infamous Room 2 over the last 12 months and they weren't about to let the year end without a bang!
The line up pretty much speaks for itself. Dave Clarke, Robert Hood presents Floorplan, Terry Francis and Joseph Capriati. Job done.
Tickets are available from the fabric website, doors open at 9pm and close at 9am (apparently)
Now if one night at fabric isn't enough for you, WetYourSelf! are giving you a cracking reason to turn round and head straight back there as Echocord Records boss, Kenneth Christiansen, returns to perform in London for the first time since he played for us in the summer of last year at Public Life. He'll be bringing his box chopped full of the most stunning dub techno, which has led him to become one of the most respected figures in the industry.
Joining him will be Palisade, with a live set, Antony Difrancesco b2b Dan Farserelli and the EarToGround guys, Chris Stanford and Gareth Wild.
Again, tickets are available from the fabric website
It's a big weekend of clubbing as the freaks come out to celebrate halloween in true techno style. So instead of waffling, we'll get straight to the events. There's plenty to get through so we'll keep most of them short and sweet.
London
We begin on Friday night in London as Broken & Uneven's Hydra series continues as they welcome online record store Bleep.com to launch their new project, BLPGRN001, the first in a run of 12"s in collaboration with design collective Give Up Art and photographer Shaun Bloodworth.
Provide the music for the night's festivities will be a star studded line up consisting of Blawan, Lucy, Pangaea, Objekt, Kowton and the first UK live show from, the duo of Analogue Cops and Steffi, Third Side.
The party will be held in Hackney Wick at the Ican Studios and tickets are available from Resident Advisor
Saturday at fabric Room 2 hosts the official launch party of their latest cd, fabric 66 mixed by Ben Klock. The Berghain resident is joined by a couple of names that you'll see in the compilation CDs tracklisting in the shape of Truncate and Wincent Kunth.
You can read all about the CD and order your own copy from the fabric website where you can also purchase your Tickets. As part of the package you can get a discount when you order your CD and ticket together.
Berlin
It's tonight, and already started, but we couldn't do this post without giving it a mention. We're gutted we're not there, but if you're looking for something to do in Berlin tonight, this has to be your only destination.
Tresor, Sonic Groove Records and Fullpanda Records combine in Tresor's Globus room to bring you Timewise. Featuring live sets from Biosphere and Robert Henke and topping it off with an ambient DJ set from Adam X and Dasha Rush.
Once the show has finished the fun's not over, as Adam and Dasha take you down to Tresor's legendary basement for what's bound to be an epic after party. Full event info can be found on the Facebook Event Page
We stay at Tresor from Friday night's shenanigans as Tuna Park puts on an altogether international affair of great interest to us here at SDD. Two SDD Podcasters in Singapore's Xhin and Argentina's Pfirter and past SDD guest, Germany's Milton Bradley.
Full event info on Resident Advisor
We don't need to tell you that quality that can be found at Berghain's in house Saturday event, Klubnacht, so we'll let the line up talk for itself!
Roma
Roma welcomes two of the UKs finest talents as James Ruskin and Shifted join Suprvsion vs Animatek in taking over the Goa Club for Resistance Is Techno. The Facebook Event Page holds all you need to know
Antwerp
Hertz celebrate their 2 year anniversary in Antwerp's Petrol Club with two more of the UK finest talents, Luke Slater and Surgeon. Full info and tickets on the Petrol Website.
Barcelona
PoleGroup take over Barcelona's BeCool venue and host Peter Van Hoesen, Exium and Reeko. Doors open at 1am and entrance is 10 euros.
Copenhagen
New York
Taipei
Sydney
For our last destination on our worldwide tour we land down under, in Sydney to be more precise, and after a weekend spent with the wonderful Dutch people, it would be wrong not to give a mention to one of their very best techno exports, Steve Rachmad. Disconnected Audio and Shrug present his show that's inspired by his recent album 'Secret Life Of Machines'.
